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Unfortunately, those used to the plush look of Logic will find WaveLab visually unappealing.

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• Review

When Steinberg announced WaveLab 7, the big news was that it would finally be available for Mac. Recently, they've also confirmed that their future products will only support Windows 7 and Snow Leopard.

So, the first thing to note is that WaveLab 7 is the first major release to follow this path, and although it may well work on an earlier OS, it's only officially supported for those two. The next major thing to note is that WaveLab 7 now includes four task-specific workspace options: Audio File, Audio Montage, Batch Processor and Podcast.

Over time, WaveLab has grown into a powerful application, featuring everything from audio file editing to multitrack processing, recording and arranging. Editing can be either destructive or non-destructive, and the Audio Montage window enables you to apply clip-specific and master effects in real time.

"WaveLab 7 includes new plug-ins and now features over 30 VST3 plugs from Steinberg's DAWs."

Other aspects, such as metering and analysis, have grown to include lots of real-time and offline options, ranging from Oscilloscope and K-System level meters (real-time) to Loudness Distribution and 3D Frequency Analysis (offline). You'll also find Loudness Envelope and Spectrum Display views, and the latter combines with the Spectrum Editor for frequency-specific editing.

Further features include SRC Crystal sample rate conversion, DIRAC timestretching, the External Gear plug-in for patching in external hardware, batch editing, DVD audio authoring and, of course, CD mastering.

Seventh heaven?

In the four years since WaveLab 6, Steinberg have been busy not only developing for OS X, but also pulling together existing WaveLab features into four dedicated workspaces.

You can load these up from a number of presets and customise them considerably by adding tabbed and floating windows, as well as rescaling and re-jigging the various elements. You can save the results as a custom layout, if you like. The Batch Processing and Podcast workspaces are quite task-specific, while Audio File and Audio Montage both deal with audio file editing, but from slightly different perspectives.

Audio File is for simple offline editing of individual files, while Montage features more complex layering of tracks (potentially over 1000) and incorporates more flexible real-time effects.

There is some functional crossover between the two (both have ten master plug-in insert slots), and you can drag files between them, but in practical terms, they suit different jobs.

Complementing the four main workspaces is the Control Window, designed for sub-hosting certain information (meters, for example), and most useful for those with two displays.

As you would expect, WaveLab 7 includes new plug-ins and now features over 30 VST3 effects from Steinberg's DAWs. Cubase users will recognise the RoomWorks reverb plug-in, while Nuendo's PostFilter is also here.

In addition there are 15 other plug-ins, including three restoration tools from Sonnox: DeNoiser, DeClicker and DeBuzzer. These deal with hiss, pops/clicks and hum respectively, and are available as inserts in all workspaces (including Batch). There are 13 offline processes that can be applied too.

WaveLab 7's disc-burning engine is all-new. This revamp improves stability and also supports DDP (Direct Description Protocol). So, you can now master and transfer electronically to the manufacturer without the need to burn discs.