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How much more Boogie could you possibly want?
Mick Taylor, Tue 21 Jul 2009, 2:51 pm BST
For those who came to the electric guitar any time after 1990, chances are that the name Mesa/Boogie will conjure thoughts of towering Dual and Triple Rectifier stacks – the amps that became the industry standard for hard rock and metal.
Rewind another 20 years, however, and Boogie main-man Randall Smith was making his name modding Fender Princetons into the world's first high-power 1 x 12 combos. The original Mesa-branded, snakeskin-vinyl Mark I debuted in 1972, starting a family line that finds itself here in 2009: the Mark Five.
Smith and his team have introduced some killer features over the years. From things we now take for granted, such as channel switching, through to channel-assignable power settings with valve or solid-state rectification. The goal of the Mark Series in particular has always been to offer a wide range of tones in a single amplifier. And boy does this do that.
Check out the video below to hear it in action:
The Mark Five is laid out logically, with each of the three channels getting the same complement of controls. Rotaries cover the basics of gain, master, bass, middle, treble and presence, while the first of the mini toggle switches determines its respective channel's mode.
"Nothing short of a remarkable engineering and tonal achievement."
Channel one offers 'clean', 'fat' and 'tweed' modes; channel two has 'edge', 'crunch' and 'Mark I'; while channel three has 'MKIIC+', 'MKIV' and 'extreme'. The channels are footswitchable, but the individual modes within them aren't. The gain and tone characteristics of each mode are so different, they're more about setting up the core tone of each channel, rather than tap-dancing within it.
It took 10 weeks to finally get my amp delivered. A nail biting wait. Was it worth it? Absolutely! You'll have to nit-pick to find things you may not care for about the amp. The front is jammed packed with knobs and switches and it's darn hard to read the labels as well. Some knobs are so close to the wood frame that you have to get real dainty to access them. At 80lbs or so, get a roady to move it. I have mine in the only place it's safe... in the basement. How I dread going up the stairs humping this amp. Overall, it's a joyful pain. I still rush home from work to lose myself on this dream.
It's not the plugging in and having a go that scares the bejeezus out of me...it's that insane price tag! Although it's totally in keeping with this amp's talents which are unmatched by any other amp on the market.
"The ultimate compact yet powerful do-it-all amp" that's an excellent description........
"The ultimate compact yet powerful do-it-all amp" that's an excellent description........
"The ultimate compact yet powerful do-it-all amp" that's an excellent description........
Very good review Mick. I enjoyed reading it a lot, and as a proud owner of a Mark V I can say that it's the best amp I've played on in terms of versatility and sound!
I would like to point out that the Mark V has a series effects loop and not parallel like you mention in page 3 of the review!
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Immense functionality and tonal range. Compact design.
The footswitch is hard to remove.
The ultimate compact yet powerful do-it-all amp.
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Mark Five
GGP
Thu 13 May 2010, 6:47 pm BST
User rating 5 of 5