MusicRadar

The front panel features classy oxblood control knobs on a gold anodised chassis

1 of 2 » View in gallery

• Review

The Duende's basic character is fat and warm, though there's plenty of EQ range to add bite or increased depth where needed, both aided by Bogner's clever choice of a Celestion G12H30 for this combo. This speaker has exactly the right resonant peak to complement the 6V6 output stage and a sweet top end that's not overly bright.

But enough of the subtle stuff, you wanna burn and Channel B is where you'll find all the lead gratification you'd hope for from an amp that has the Bogner logo on it. Unboosted it is perfect for the more aggressive modern blues stuff, with more of that spongy touch-sensitive valve-rectified response, and you can simply pull out the boost if you need extra sustain for the ballad solo.

Very tweed and very Deluxe in character, very responsive and a delight to play from the second you plug into it, the Duende had us hooked with its great tone and friendly response. Swap to humbuckers, and from Royal Scam-era Larry Carlton to Billy Gibbons or David Grissom, the Duende can get you exactly the right tone for practically all those rhythm and solo parts.

Carlton teamed his one-of-a-kind Gibson ES-335 with a tweed Fender Deluxe for most of his studio career, and with both channels cooking simultaneously - whether you can wrap your fingers around Kid Charlemagne and Don't Take Me Alive or not - all the right vocal nuances are there with this amp.

Wind the gains up, and you can also rip into Sharp Dressed Man or Jesus Just Left Chicago with total authenticity - assuming you have a '59 Les Paul and Billy Gibbons' fingers, that is!

Despite its relatively low output, the Duende is plenty loud enough for smaller un-mic'd gigs, yet still sounds cranked at low volume levels, making it ideal for home use or recording. The reverb is excellent, not too bright or crashy, with very little noise and a nice smooth decay.

The tremolo is annoyingly almost perfect - the range of speed and depth is exactly wide enough to cater for every need without going over the top, however we think the modulation waveform is just a little too smooth to catch that fashionable fast stuttering effect properly. If the Duende had a pull switch on the other tremolo knob to swap between normal and a harder-edged square-wave effect, it'd be practically perfect.

This is a great little amp that will inspire even the most jaded of 'seen it all before' guitarists to plug in and play for hours. It's portable, it sounds great at low volume, terrifyingly awesome when cranked and it's got nearly everything most players could ask for in the way of features.

However, the few niggles we have are annoying ones, more so because the Duende is nearly perfect. One output socket and no impedance selector makes it difficult to hook up to more speakers, which for live work could cut into the all-important clean headroom that gives this amp some of its subtlety and character.

The dual jack-plug footswitch cable is fiddly, though easier to repair in the field than an obscure seven-pin locking mini-DIN plug. It's purely a matter of taste, but we think the tremolo modulation needs a slightly sharper edge.

And, sadly, like all things that are good for you it is expensive. With a price tag of well over a hundred quid per watt, you'd expect mind-blowing performance, and by and large, the Duende delivers it, although so do many other amps at this level.

Nevertheless, the Duende is so tempting, that after five minutes you'll probably be thinking of how to justify buying one, so our advice is keep a tight grip on your wallet and check out this one soon at your nearest Bogner dealer.