Orange’s first Chinese-made valve amp is a little stunner. Be prepared to want one.
The MusicRadar Team, Tue 23 Oct 2007, 12:10 pm UTC
There are two types of guitarist in the world. Those that play through consumer grade amplifiers and those that get to experience the amazing tone produced by professional grade products. For the first time ever, Orange has managed to squeeze every drop of their unique signature tone into a product that every guitarist can afford - The Tiny Terror
With 15 watts of available Class A valve power, the Tiny Terror is a highly versatile workhorse suited to a myriad of guitar playing scenarios. But despite being loud enough for rehearsals, and even small shows, it is in the studio that the benefits of this amplifier's incredible tone can be felt the most
In the Studio
Have you ever wondered why your recorded guitar tone doesn’t sound like your favorite band’s album? Ask many producers what the hardest instrument to record is, and they’ll tell you the electric guitar. If you are still struggling with hardware or software emulators, then it’s time to ditch those late 90’s gadgets and upgrade to professional valve tone with the Tiny Terror.
The Tiny Terror has been designed by England’s finest engineers to give you the tone you crave in a quick and simple manner. Just plug your guitar in one end, a speaker cabinet in the other and adjust the three standard controls to taste. There is no complicated programming and Class A analog valve technology will ensure that digital clipping is a thing of the past.
Valve amplifiers often sound best when the master volume control is fully cranked. The Tiny Terror can be run at 7 watts to allow you to dial in these settings without blowing the door off your sound room!
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Pristine clean to filthy drive sounds of the highest quality; Easily portable; Great price
Nothing
A worthy addition to any backline or studio, the Tiny Terror oozes cool and sounds superb
All MusicRadar’s reviews are by independent product specialists, who are not aligned to any gear manufacturer or retailer. Our experts also write for renowned magazines such as Guitarist, Total Guitar, Computer Music, Future Music and Rhythm. All are part of Future PLC, the biggest publisher of music making magazines in the world.
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