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#1 |
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Senior Member
Join Date: Feb 2008
Posts: 1,555
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I'm having trouble playing styles of music that require me to play a bassline along with it. Even the classic "root-5th" thumb thing. I can do the bassline fine on its own but as soon as I try to play along with it I seem to forget how to keep the bassline going. I didn't realise it was something that I couldn't do until I tried to follow Eric Roche's "Acoustic Guitar Bible". One of the first exercises in there is some Travis Picking thing, it took me literally hours to get it right. I can play that exercise fine now but I'm having real trouble "transferring" that.
Is this the kind of thing that will eventually just "click"? |
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#2 |
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Senior Member
Join Date: Sep 2002
Location: Heartattack and Vine
Posts: 9,999
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The simple answer is 'yes'. I'm having exactly the same problem; it's just slowing it down so much that you can do it, then keep on playing it!
I'm working on a couple of things of my own, and this: http://www.youtube.com/watch?v=fWM7GFbk2t4 (apologies for posting this video for about the third time, but I love it )
__________________
www.societycrisis.com F*ck your politics Stuff for sale: Danelectro PB&J delay/reverb, £25 Apple G5 iMac (1.8GHZ, 1.5 GB RAM, 17"), offers Dean PsychoBilly hollowbody with Bigsby-alike, £150 Wanted: Cheap(ish) double bass. I've NO idea why. Peavey Delta Blues. Ibanez Iceman. |
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#3 |
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Senior Member
Join Date: Nov 2003
Location: At the Spartacus Fan Club!
Posts: 18,057
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Try the Tuck Andress Guitar video. I really really recommend that for this very reason.
One of the things he points out is that basslines are legato and the chords should be stacatto otherwise it doesn't sound like different instruments or music. You'r looking for independence of feel. Play the bassline seperately get it sounding good and bare that in mind when you try and get the bassline working with the chords.
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Email me when it's the next London Drinks. |
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#4 | |
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Senior Member
Join Date: Feb 2008
Posts: 1,555
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#5 |
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Senior Member
Join Date: Jul 2003
Location: Rhapsody, Bohemia. Well, St Albans really.
Posts: 25,047
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I assume you mean fingerpicking (either alternating bass or steady bass style). I think how I managed to get round it was by seeing things as either a pinch (bass note and melody note together) or not. I also seperated what finger was doing what i.e. I pinched using my forefinger and played the off the beat note with my gesturing finger (what's that one called?). So I don't worry so much about just keeping the thumb going, I just play the notes infront of me, in the correct place. Then I just practised it, lots and lots and lots of times. Eventually it becomes (after a fashion) second nature.
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#6 |
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Senior Member
Join Date: Nov 2003
Location: At the Spartacus Fan Club!
Posts: 18,057
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__________________
Email me when it's the next London Drinks. |
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#7 | |
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Senior Member
Join Date: Feb 2008
Posts: 1,555
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#8 | ||
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Senior Member
Join Date: Jul 2003
Location: Rhapsody, Bohemia. Well, St Albans really.
Posts: 25,047
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Quote:
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#9 | |
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Senior Member
Join Date: Sep 2002
Location: Heartattack and Vine
Posts: 9,999
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Quote:
Or see him do a live solo show, he'll blow you away. Now can you see why I REALLY want a TriCone? ![]()
__________________
www.societycrisis.com F*ck your politics Stuff for sale: Danelectro PB&J delay/reverb, £25 Apple G5 iMac (1.8GHZ, 1.5 GB RAM, 17"), offers Dean PsychoBilly hollowbody with Bigsby-alike, £150 Wanted: Cheap(ish) double bass. I've NO idea why. Peavey Delta Blues. Ibanez Iceman. |
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#10 |
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Senior Member
Join Date: Feb 2008
Posts: 1,555
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Speaking of Mr Waits
Free mp3 of Road to Peace (my favourite Tom Waits track) that I've just found. If anybody doesn't feel like shelling out £30 for the Orphans boxset to get it. I've got Beautiful Maladies which is a compilation of his earlier stuff, I think. |
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