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#91 | |
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Senior Member
Join Date: Feb 2005
Location: Hertfordshire
Posts: 22,274
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I still like my made up word - Anorakista ![]() (Frankus is spot-on BTW) |
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#92 |
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Senior Member
Join Date: Nov 2003
Location: At the Spartacus Fan Club!
Posts: 18,057
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But whatever way you cut it, I'm an Anorakista.
This guy reads like care in the community but he is right: lydian is the better choice for the first mode of music if you're working on the cycle of fifths - but it has no relevance to music really.
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Email me when it's the next London Drinks. |
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#93 |
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Spam Tsar
Join Date: Jan 2008
Posts: 17,546
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I'd just like to clarify here - Frank - do you definitely mean that you lack any sentiments on norakistanism either way? Only - and forgive me if I've misjudged here - some of your posts have seemed to be from more of an anti-norakistan point of view.
I'm not making a value judgement on either stance, BTW, I just think that we need to be precise.
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I'm with stupid ▼ |
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#94 |
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Senior Member
Join Date: Nov 2003
Location: At the Spartacus Fan Club!
Posts: 18,057
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I think the thing is regardless of my stance I am an Anorak.
Whilst I do worship at the church of Norak, I question the endless questions that fellow Noraks pose, how many Angels can dance on a pin head... I'm an Norak to Noraks which in may eyes makes me A-norak. Personally I blame my old blind master who killed a member of the Chiniese royal family for his arrogance... and forced me to walk the world alone with nothing but the tune of "For the love of God" played on a flute ...for company.
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Email me when it's the next London Drinks. Last edited by frankus : 04-28-2008 at 04:58 PM. |
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#95 | |
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Senior Member
Join Date: Dec 2007
Location: London
Posts: 3,535
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Quote:
I give up. Either you really need to lay off the drugs or you have some axe to grind... I have no idea. None of what you're asking/saying seems to bear much resemblance to conventional music theory, so give us a clue, eh?
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blog: http://www.spaghetti-factory.co.uk music: http://www.myspace.com/adrianclarkmusic work: http://www.bluesjamtracks.com |
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#96 | |
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Senior Member
Join Date: May 2007
Location: UK
Posts: 2,977
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Quote:
If you want to bring maddness into the conversation, I can suggest much better things to consider than music theory. Here's some maddness: In 1969 a guy walked on the moon, we talked to him on a radio, and it was broadcast on television. Nearly 40 years later, my mobile phone still has intermittant signal in parts of the uk, and the coffee machine in one of the schools that I work in simply cannot accomodate 50 pence pieces. Where they can sometimes appear naive and foolish now, the elaborate "visions of the future" that people had in 1969 were entirely consistent with what they were shown to be possible at that time. Either somewhere along the line, the evolution of science and the rate of progress has been absolutely and unforgivably mismanaged, or the moon landing was faked. Right now, I'll consider that either of these things could equally be feasable. And you're pissed of at how a major scale sounds?
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http://uk.youtube.com/watch?v=EPcmdcA3TnU My Online blogs http://guitargetpractice.blogspot.com http://vapourstation.blogware.com The Turquoise Noise band www.myspace.com/turquoisenoise The Ensemble Craft project www.myspace.com/ensemblecraft My other projects www.myspace.com/nikharrisonmusic |
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#97 |
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Senior Member
Join Date: Jan 2008
Posts: 2,317
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What, he was only supposed to blow the bloody doors off?
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"Brilliant things instead of weeping will be for the person who comes to the truthful one. But a long period of darkness, foul food, and the word 'woe' - to such an existence your religious view will lead you, O deceitful ones, of your own actions." - 1000 years BCE, Zoroaster predicts the coming of Keanu. |
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#98 |
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Member
Join Date: Mar 2008
Posts: 49
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i would like to know if any one knows, understands, / uses this..
![]() i would like too know what you think / dislike about PCS ( pitch class sets) / set theory because this is just a table of PCS / the cliff notes of: set theory of music, you should not confuse this with: set theory of mathematics.. the 2-are-not-the-same ![]() the first page other than the 5-columns-as-in- the title at the top of the page should be of use and or interest IE... interval vector, count, forte code, prime form, inverted form.. out of those 5 the 3rd will be of less / no use-(forte code)-can you spell-convoluted / convolution / convolutely convoluted ..click on link below for the PDF file that will open in your browser https://ishare.sphorium.com/ms/10555...B7AB/ayos.aspx
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you must both, Love and Understand- The Beauty of sound!.... |
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#99 |
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Senior Member
Join Date: Apr 2004
Location: Leeds, UK
Posts: 1,058
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I can't tell if anyone's actually answered the original question, which is a pretty simple yes/no job.
The answer is, he is totally right except he has chord number one on the melodic minor and harmonic minor wrong - they should both be major7(#5). Also, I would point out that you should not restrict yourself to these chords. Quite often these modes have silly things in them like flattened 4ths. Take the 7th mode of melodic minor. You've called it a m7b5 which is totally correct, but it has a b4th in the mode which is silly, 4ths do not make sense as 4ths if they are flattened, it is obviously in reality a major 3rd. So you could call also have a dom7(#5) chord as the root chord. This is actually really important, because that mode is almost always used over dom7(#5) or similar chords. And it is a very very commonly used scale in modern jazz. So your answer is correct for harmonizing the scale. But in the real world, it is never used along with that type of chord. Anyway, good work! Next job is to find out the names of all the modes to go along with each of those chords!
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www.jongomm.com New album Don't Panic out December 7th 2009 Last edited by performingchimp : 05-17-2008 at 02:03 PM. |
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#100 | ||
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Senior Member
Join Date: Apr 2004
Location: Leeds, UK
Posts: 1,058
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Quote:
Quote:
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www.jongomm.com New album Don't Panic out December 7th 2009 |
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